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Shiny Toy Guns is an American indie rock band from Los Angeles, California.

The band was founded in 2002 by bassist and keyboardist Jeremy Dawson and vocalist and guitarist Chad Petree. Both had known each other for years growing up in Shawnee, Oklahoma and worked together on previous music projects such as Cloud2Ground and Slyder. After these projects, they went underground for a couple of years but continued making music together until enlisting both vocalist Carah Faye Charnow and drummer Mikey Martin in 2004.

The band quickly gained popularity locally in California as well as through their MySpace page. In January 2005, they released their first album We Are Pilots through record company Stormwest International. They began touring across America that summer in support of their album. They re-recorded and re-released We Are Pilots through record company Sidecho in November 2005, with a revised track list. They continued to tour extensively, and in June 2006, after extensive negotiations that had begun in November of 2005, they signed with Universal Records and released a finalized copy of We Are Pilots on October 17, 2006.

Shiny Toy Guns' 2005/2006/2007 song "You Are the One" has its roots in Jeremy Dawson's trance song "Neo", put out under his "Slyder" moniker. This song was licensed and approved for usage by the band in the video games Grand Theft Auto III, Burnout Dominator and FIFA 07.

On December 6, 2007, We Are Pilots received a Grammy Award nomination in the category of Best Electronic/Dance Album, but lost to the Chemical Brothers.

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Cleaner is the name of a German project specializing in electronic music. Formerly known as Cleen and Cleaner, Myer released several albums on the American industrial music record label, Metropolis Records, as well as the labels Zoth Ommog and Accession Records.

Cleen began as a side project of Haujobb’s Daniel Myer, who teamed up with vocalist Thorsten Meier for the first few releases, beginning with 1997’s Designed Memories. After the release of their second album, Thorsten Meier left to pursue other interests, and Daniel Myer assumed all musical and vocal duties. For the third release, Solaris, Myer changed the name of Cleen to Cleaner. Cleen, Cleaner, and Clear Vision have often been described as more synthpop oriented than Haujobb.

At this time, all of the Cleen and Cleaner releases are out of print. Daniel Myer continues to record with Haujobb and his numerous other projects, including the recently formed Clear Vision, which appears to be another linguistic twist in the Cleen / Cleaner family.

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Suicide Commando is the name of a Belgian musical act combining aggrotech with elements of electro-industrial.

Johan Van Roy, Suicide Commando's only member, began experimenting with music in 1986. Three years later, he released his first tape under the moniker Suicide Commando, and made an appearance on the vinyl compilation, Electric. As Van Roy continued self-releasing tapes, he landed more compilation appearances on Rotation II and Induktion, Varianz und Deren Folgen, both released by Kugelblitz records.

1994 finally saw Suicide Commando's first CD, Critical Stage, released on the German label Off-Beat. Shortly after in 1995, Suicide Commando released Stored Images, which contains to date one of van Roy's most popular songs, See You in Hell.

1996 was the ten-year anniversary of Suicide Commando, and with it came the release Contamination, as well as the limited boxed version, which contained a bonus 3" compact disc. Contamination was released a year later in North America by the now defunct Electronic Death Trip records.

In 1998, Suicide Commando released the album Construct-Destruct and its sister release, Reconstruction including new clubhits like desire and better off dead, the former of which was picked up by Possessive Blindfold Records for distribution in North America with bonus tracks.

Van Roy was one of the founders of the Dependent Records label in 1999. It was on this new label that Suicide Commando's next releases, two singles and one EP: Hellraiser, Comatose Delusion, and Love Breeds Suicide, accompanied Suicide Commando's 2000 release, Mindstrip, reached the number one spot on the Deutsche Alternative Charts. It was at this time that Metropolis Records began releasing Suicide Commando in North America.

For Suicide Commando's next release, Axis of Evil, a special edition double single called Face of Death was released beforehand, selling out in two days. The regular edition of the single continues to sell, and Axis of Evil was voted album of the year (2003) by the Deutsche Alternative Charts.

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De/Vision is a German synthpop musical group. The band started as a quartet consisting of Thomas Adam, Steffen Keth, Stefan Blender, and Markus Ganssert. They formed the band in 1988. The name De/Vision is a play on words. The majority of the band's lyrics are in English, but they have had some songs in German. Markus left the band in 2000. In the same year Steffen started a side project as the vocalists with Green Court, called 'Green Court featuring De/Vision'. The band with remaining members Thomas Adam and Steffen Keth is currently signed to Drakkar Records in Europe and Dancing Ferret Discs in North America. Since 1994 the band has released a new studio album of original material every 1.5 years.

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Diary of Dreams is a German electronic goth and darkwave music group. The lead singer and founding member Adrian Hates has produced most of the albums by himself or with minimal help from others. He rarely uses a full band, except when he is on tour. The early works Cholymelan and End Of Flowers are both darkwave albums. Shortly after the turn of the millennium, the music integrated more techno and futurepop influences.
This would be an example of the latter variety.

http://www.diaryofdreams.de/
http://www.myspace.com/diaryofdreams

www.myspace.com/thesurrealcast

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By far the best mix of these two favorite songs of mine .
Rumor has it that this track was an MTV Mash-Up featured on the show by the same name. While MTV still sucks, this is definately a stroke of pure genius.

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Whatever truth will reveal tomorrow, it's a lie
A cup of poison will always join us, for a while
and we'll laugh for a while
and we'll die, for a while
and then we'll blame us self for a wild routine
Ground zero, we're back to one..

We can't combine

Happy with the life they gave us, from day one
What disappears without a trace, reappears and we just approve
What we need, is a waist, solutions dissolves in our hands
We won't except that we understand
Destruction completes the man

No matter what time will give us
No matter if it slips away
You should have burned me blind
now I'm shining through

We can't combine this city's laws
Regret with time, this splintered doors
Even if fear remains tomorrow or if everything goes away

We can't combine...

shadows merging
people laughing
the sun shines threatening
concrete tasting
steel avoiding
love exploiting
hate awakening
missing, can't hide

We can't combine this city's laws
Regret with time, this splintered doors
Even if fear remains tomorrow or if everything goes away

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"My (musical) world is a little bit dark... a little bit off-center. I think of it as tragically beautiful. That is how I would describe what I love best: tragically beautiful." - Angelo Badalamenti

www.angelobadalamenti.com/
www.myspace.com/angelobadalamenti

www.myspace.com/thesurrealcast

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The Azoic is an electronic dance band that was formed by Steve Laskarides, Shawn Lower, and Kristy Venrick in February of 1996.
In October of 1996, they received a record contract from Worm Records and released their first CD, "The Divine Suffering", in April of 1997. Shawn left the band in early 1998 to pursue an alternate musical direction. Their second CD, "Where Broken Angels Lie," was released in May of 1998 with Nilaihah Records, which was started by Kristy to promote talented, original electronic bands. "Forward," The Azoic's third CD, was released on Nilaihah Records in 2001. In 2003, The Azoic signed a record deal throughout Europe with Infacted Recordings of Germany. In 2004, Infacted Recordings released "Forward+Conflict," which earned The Azoic the no. 4 spot on the DAC [German Alternative Chart] and the no. 2 spot on the DUC [Dutch Alternative Chart].
The Azoic's 4th CD, "Illuminate," was released in 2004. In early 2008, "Re:Illumination [the mixes]" is available via Nilaihah Records. The album holds remixed version of "Illuminate" material by DJ Delobbo, GASR, Null Device, Hungry Lucy, and more. In addition to "Re: Illumination," look for new material and live shows from The Azoic in 2008.

www.theazoic.com/
www.nilaihah.com/
www.MySpace.com/theazoic
www.MySpace.com/TheSurrealcast

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The SuRRealcast is back!
New music, new artists, new material all the way around!

www.myspace.com/thesurrealcast

Enjoy and let me know what you think m'dears...

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I needed some "down time" as of late that has kept me from posting as often as I'd like to on this podcast. I apologize to my listeners that have been so devoted to keeping up to date on every post - but now that, on both sides, we've had our breaks...I now have new material to post.

Thank you for your kind comments and enjoy the track on today's show.

Add us on MySpace: www.myspace.com/TheSuRRealcast

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Unheilig (German for "Unholy") is a German Electronic/Neue Deutsche Härte band. They are stylistically connected to the Dark Culture. Unheilig was formed in 1999 and consists of Der Graf, Grant Stevens and Jose Alvarez-Brill.

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Inspired by acts such as Klinik and Suicide Commando, Agonoize is a German EBM/electro-industrial band constituted of Mike Johnson, Oliver Senger and Chris L. Established in late 2002 as a duo between Johnson and Senger, it soon became apparent that the act needed a frontman to improve their stage performance and Chris L. became lead vocalist, making Agonoize a trio. Their first concert was on April 11, 2004 at Edinburgh's annual Dark City Festival playing in a line-up of VNV Nation, Gothminister, NFD, Seize and Agonoize. The band's follow-up concert was in Berlin as the support act of [:SITD:], who in return remixed "Paranoid Destruction", later to become an eponymous track in the group's debut release, Paranoid Destruction. The MCD was an instant success, entering the Deutsche Alternative Charts at number seven and remaining in the charts for eight weeks. Agonoize's fanbase has been rapidly growing since then, and having completely sold out of 2004's Assimilation: Chapter One copies, a re-release entitled Assimilation: Chapter Two was made in 2006 containing a bonus twelve-track disc.

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Haujobb was formed in 1993 by Daniel Myer, Dejan Samardzic, and Björn Junemann, pulling the name from the the Blade Runner translation of "skin job". They were soon signed to Off-beat Records, and began distributing their music in North America via Pendragon Records. 1995 saw the departure of band mate Björn, and the lineup has consisted of Daniel and Dejan ever since. After Metropolis Records acquired Pendragon, the two musicians have been able to spread their music to a larger fanbase in North America, and have remained continuously popular in the Europe electronic body music scene.

Today, both Daniel Myer and Dejan Samardzic record music under the name Haujobb, and Myer has several other projects of his own, including Architect, Clear Vision and Newt. Myer, along with Claire Voyant's Victoria Lloyd, form HMB.

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Garbage is a Scottish/American rock group formed in Madison, Wisconsin, in 1994. The band members are Duke Erikson, Shirley Manson, Steve Marker and Butch Vig.

Garbage released a string of increasingly successful singles in 1995–1996, culminating in the hit "Stupid Girl". The debut album, Garbage, was an unexpected smash, selling over 5 million copies and reaching double platinum status in the UK, USA and Australia. Garbage spent two years working on a follow-up album, Version 2.0, which topped the charts in the UK and peaked at #13 in the US. The album was nominated for two Grammy Awards, Album of the Year and Best Rock Album, and sold over 5 million copies. In 1999, the band performed the theme song to the James Bond movie The World Is Not Enough. That year, they also contributed the song "When I Grow Up" for the Adam Sandler movie Big Daddy.

The band struggled to sustain their initial success, and the band's 2001 third album beautifulgarbage failed to match the commercial success achieved by its predecessors. The band struggled to remain together and almost split in 2003, before returning with Bleed Like Me in 2005, peaking at a career-high #4 in the United States.

The band cut short a 2005 world tour, and announced an indefinite hiatus, but emphasized the stoppage was not a break-up. Garbage reunited in early 2007 to record new tracks for the greatest hits album, Absolute Garbage, that was released in July 2007.

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Razed in Black (abbr. [RiB] ) is an electronic music act created by Romell Regulacion (vocals, keyboards, guitars). Razed in Black (commonly abbreviated RiB) was formed in Hawaii in 1994, and quickly got the attention of the Cleopatra record label. RiB's music combines elements of industrial, synth-pop, darkwave, and hardcore techno. Mostly an underground act, RiB have a particularly large following in the goth subculture. Romell has also released some albums and songs under the title of Transmutator, and even pits Razed in Black vs. Transmutator on some of his songs.

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The below is from website (www.tacticalsekt.com) and gives a pretty good description about the musical project and it's future:

“A storm in my head has been raging. Blowing debris from my minds blackest depths. The winds of change have smashed against the cinder block walls that are societies misgivings. Yet seem to be crushed under the heavy heel of the old regime."

"But a new wind now blows. I am those cold winds, I am that cruel storm, I am that raging fire that guts the carcass of their tainted morality. I am the priest that breathes hell and discontent at the heathens. I am the siren screaming warning to the nations. I am the Tactician. I am the prophet of this Sect.”

Tactical Sekt have been called pessimists. We have been called negative. Two labels with which we disagree. What Tactical Sekt will say is that it has become discontent with guile. We will not stand by and watch the world eat itself up with its desire to play the part of God and forcing nature's hand to create the monstrosity that is immortality or the "perfect" child. Playing with the power of the human gene. Sentencing our fellow men to death. Life is a puzzle and these abominations are the pieces that Tactical Sekt wishes to loose.

Tactical Sekt is our way of shouting at the masses. It is our instrument of change. If this small voice is heard amidst the chaos then to us it is worth it.

Anthony started this project as a release, not an escape. It has been a very eventful couple of years. The success of Aslan Faction has really been overwhelming. Tactical Sekt, we hope, will compliment his work with Aslan Faction. It is an honest look into his mind.

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'Tourniquet' is the second single by the band Marilyn Manson, from the second studio album Antichrist Superstar.

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mOBSCENE is the inaugural single taken from the 2003 album The Golden Age of Grotesque by Marilyn Manson. Lines in the song chanted by female vocalists, "Be obscene, be, be obscene..." are remarkably similar to "Be Aggressive", a 1992 song by Faith No More that features the chorus "Be aggressive, B-E aggressive," also chanted by cheerleaders. Many critics have also compared lines in this song to the TV gameshow in the 2000 film, Requiem for a Dream, starring Jared Leto.

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The Dope Show's single release was accompanied by a surrealistic music video directed by Paul Hunter, which was filmed in late July, 1998 and which premiered on August 20, 1998. In scenes reminiscent of The Man Who Fell to Earth, Manson appears — red-haired, with his entire body, including prosthetic rubber breasts, covered in white grease paint — as an androgynous extraterrestrial wandering around the Hollywood Hills. He is captured, studied in a laboratory, and eventually transported by limousine to a stage where he and the other members of the band — the fictional band Omega and The Mechanical Animals — perform the song in concert before hysterical fans who end up rioting and crossing the security barriers. Actor Billy Zane makes a cameo appearance in the limo sequence, as a recording industry executive. This same sequence features parodies of SPIN magazine (as "Spun" in the video) and The National Enquirer.

The video won a 1999 MTV Video Music Award for "Best Cinematography", as well as the "Maximum Vision" award. It was filmed on standard cinema-grade Kodak 35 mm film stock; the contrast, saturation, and color tinting were all altered dramatically to obtain its vintage look. The video was filmed over two weeks — extreme in comparison to the industry standard of two days. Interscope Records funded the video, while HSI Productions produced and filmed it. Manson co-directed. Shooting began on Tuesday, August 8, 1998.

"The Dope Show"'s performance sequence was filmed in front of the Los Angeles Municipal Courthouse on North Hill Street. The Brutalist architecture of the Courthouse did not permit a reasonable angle or height from which to film; instead, the band was placed on top of the trailer of an 18-wheeler transport truck. Cameras situated on mechanical arms, and at a distance across the street, were used to film the dramatic concert shots. These scenes are interspersed with cuts of underground drag performer The Goddess Bunny dancing in a yellow, sequined dress, similar to that worn by Twiggy Ramirez in the same video. The costumes for the video, including the dresses and Marilyn Manson's red, diamond-patterned boots (which featured a 6-inch sole and heel) were designed jointly by Manson and Terri King. The Goddess Bunny's custom couture sequin gown (worn for the live MTV awards performance), was designed and hand sewn by Kris Hendrickson, aka littlemskris of San Francisco.

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Marilyn Manson is a rock band based in Los Angeles, California. Advocates of nonconformity, and often utilising controversial imagery & lyrical content, the band is commonly described as shock rock. It is difficult to categorise the band, as it displays influences from many genres of hard rock, including industrial, heavy metal & glam rock. Each album thus far has had a distinct and individual sound, and the band & frontman endeavour to devise & use a unique image & aesthetic for each album's era . The band was formed in 1989 in Fort Lauderdale, Florida as "Marilyn Manson and the Spooky Kids". The band's uniquely theatrical performances gathered a local cult following that subsequently developed into a worldwide fanbase.

As controversy began to wane, so did the band's mainstream popularity. Despite this, its many devoted fans have made Marilyn Manson a consistently high-profile group: three of the band's albums have been awarded platinum certification and three more have been awarded gold, and the band has seen three of its releases debut in the top ten, including two number-one albums. In June 2003, Jon Wiederhorn of MTV.com referred to Marilyn Manson as "the only true artist today".

This is the first installment of five podcasts to commemorate this man and the artisticness of his music/visual performances and it's influence on modern day eletro and industrial movements.

www.marilynmanson.com
www.myspace.com/marilynmanson

www.myspace.com/THESURREALCAST

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Not to be confused with Projekt or Pro-jekt!

Project Pitchfork is a synth rock musical group from Hamburg, Germany.
Project Pitchfork was formed by Dirk Scheuber and Peter Spilles in 1989. The group signed with the German Hypnobeat label in 1991 to release their first album, Dhyani. Project Pitchfork is currently signed with EastWest Records (Europe) and Metropolis Records (U.S.). They also did a remix for Rammstein's debutsingle Du riechst so gut, called Du riechst so gut (Scal Remix).

www.myspace.com/theSURREALcast

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Attrition is an electronic music band, formed in Coventry, England in 1980 by Martin Bowes and Julia Niblock. Influenced by punk's do-it-yourself aesthetic, Attrition appeared on compilation cassettes featuring contemporaries such as Portion Control, Konstruktivits, Chris and Cosey, Legendary Pink Dots, Nurse With Wound, Metamorphosis et al. However, while associated with the industrial scene, the band found it difficult to attract an appreciative audience.

Their early post-punk stylings soon gave way to a distinctive electro-acoustic sound. This was based on Martin's deep growl, Julia's fretless bass work and breathy sub-operatic vocals, and a backline of electronic instrumentation, comprising analogue synthesizers (including a Korg MonoPoly and Korg MS20), sequencer (Roland MC202), drum machine (Roland TR808), and various effects units.

"At first, there wasn't the same sort of scene and we were in more of an 'industrial' thing. There was nothing like the clubs you get now, it was actually quite difficult to play anywhere that would appreciate you. It's a lot easier now, it's not just Goth, it's a mix - Darkwave or whatever. That's gotten stronger, so that has helped, but really, we were there before it was built."

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Enigma is an electronic musical project started by Michael Cretu, David Fairstein and Frank Peterson in 1990. Cretu is both the composer and the producer; his wife Sandra often provides vocals on Enigma tracks. The pair have also worked together under the name Sandra. Six studio albums have been produced under the name of the project.

From the late 1970s onwards, Michael Cretu already had his own music career on his hands and apart from several collaboration efforts with several other musicians, he also produced his wife's albums. Before Enigma, he released a number of albums under his own name, but none of them sold particularly well. Cretu revealed in an interview that he believed that his ideas were soon running out at that point.

It was then that Cretu plotted the creation of a "New age-Dance", un-named yet, first single. Ditching his old habits and rules, he headed onto a different direction and in December 1990, after 8 months of preparations, he came up with the project's groundbreaking debut album, MCMXC a.D. (received over 60 platinum awards worldwide). The album was Cretu's first commercial success through the single "Sadeness (Part I)", which juxtaposed Gregorian chants and sexual overtones over a dance beat that was highly peculiar to the ears of the public at that time. Cretu explained that the album was about unsolved crimes and philosophical themes such as life after death, hence the name Enigma. He had previously used a Gregorian-type chant on the opening seconds of Sandra's 1987 single "Everlasting Love", without integrating them into other parts of the song. "Sadeness" quickly rose to the top of the charts in Germany and France; it went on to become an almost worldwide hit. Later Cretu would claim that the now signature Enigma sound was inspired after falling asleep on the London Underground.

Before the album was released, Cretu was cautious of the response towards the upcoming album, decided to forgo mentioning his and most of the personnel's real name and credited himself as Curly M.C., while the album sleeve contained little information about the background of the project, furthering the mystery about the creators of the album and leading to speculation whether Enigma was a band, a person or a group.

In 1993, Cretu was given an offer by producers to compose the full soundtrack of the motion picture Sliver but he was unable to accept the offer. Instead, he came up with "Carly's Song" and "Carly's Loneliness", which was used in the movie and credited in the motion picture soundtrack as well.

In the same year, The Cross of Changes was released and it received about the same, if not an even larger and better response from the public (it sold 6 million copies in a year). However, both of the albums also hitched up lawsuits over the issue of sampling from other music sources.

In 1996, Le Roi Est Mort, Vive Le Roi! (French for "The King is dead, long live the king!") was released. Cretu's idea was that this third album was the child of the previous two albums, and therefore included familiar elements of Gregorian chants and tribal chants in it. Though the album was as meticulously crafted by Cretu as the earlier two albums, it failed to achieve the same level of success that they enjoyed. As a result only two of the three singles originally slated were released, with the third one ("The Roundabout") being silently cancelled in 1998.

The 1999 release of The Screen Behind the Mirror included samples from Carl Orff's Carmina Burana on four tracks on the album. This time the Gregorian chants were toned down a lot, but still Shakuhachi flutes and other traditional Enigma signatures remain. Only "Gravity of Love" and "Push the Limits" were released as singles from the album. Ruth-Ann Boyle from the band Olive and also Andru Donalds mark their first appearance on the Enigma project.

In 2001, Cretu released a new single called "Turn Around" together with Love Sensuality Devotion: The Greatest Hits and Love Sensuality Devotion: The Remix Collection to end what he considers to be the first chapter of Enigma. A light show was held at the Munich Planetarium in conjunction of the release of the compilation albums.

2003's Voyageur was considered by many to be a total makeover for the project. Practically all of the prominent Enigma signature elements (the ethnic and/or Gregorian chants, the famous Shakuhachi flutes) were no longer in use for this album. As a result many fans had difficulty appreciating this new direction and sales were affected. From a statistical point of view, every Enigma studio album to date has sold roughly half of what the previous release did.

On August 28, 2005, Enigma's management (Crocodile-Music.de) announced the release of the project's latest single, "Hello and Welcome". The single was originally slated to be released in October, however it was moved to November 25, 2005 and finally saw release in Germany on March 10, 2006. The song will also be the walk-in music for the German boxer, Felix Sturm, and much like Voyageur shows little similarity to earlier Enigma works.

On September 26, 2006, Enigma's sixth album A Posteriori was released worldwide, containing a new version of "Hello and Welcome" and the new song "Goodbye Milky Way", which, despite earlier announcements, was and will not be released as a single. The album is more techno, electronic, than any previous one. The concept is based on such sciences as astronomy, physics, history and sociology.[citation needed]

A DVD version of A Posteriori was released on December 16, 2006. The DVD features kaleidoscope images in synchronization with the multi channel remastered music.

In late March 2007, a special "Private Lounge Remix" album version of A Posteriori was released on the Apple iTunes music store. This compilation includes 12 new remixed tracks from the album by artists such as Boca Junior, Tocadisco, etc. Some of these tracks were available previously on the original A Posteriori iTunes album and on the abovementioned DVD release.

'Shadows in Silence' is from the "Le Roi Est Mort, Vive Le Roi!" album.

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Icon of Coil is a Norwegian futurepop group; similar to the more popular Zeromancer on many levels [ Zeromancer was on a previous podcast - to compare these two bands download Episode 52 - Dr.Online (Rico Mix) ].

The band was established as a solo project in 1997 by Andy LaPlegua who was joined by former Sector 9 (now Moonitor and Zombie Girl) bandmate Sebastian Komor to perform live. With the release of Shallow Nation, the band's first single, Komor joined full-time. In 2000, Christian Lund joined the live lineup. Later that year the band's first full-length album, Serenity is the Devil, was released, which climbed to number one on the Deutsche Alternative Charts. Shortly thereafter, Lund became a full-time band member.

This song is from the 2004 album 'Machines are Us'.
Enjoy.

www.myspace.com/thesurrealcast

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An extremely rare song by an artist that has made it very big recently.
This from the archives of my personal collection.

This is a prime example why to keep your cassetes!

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Party Monster (2003) is a drama/dark comedy that details the rise and fall of infamous New York party promoter Michael Alig. The movie stars former child star Macaulay Culkin as the drug addled "King of the Club Kids". Also in the film are Seth Green as the flamboyant and slightly smarter James St. James, Dylan McDermott as Alig's boss/father figure Peter Gatien, Chloë Sevigny as Alig's girlfriend/fag hag Gitsie, Wilmer Valderrama as his onetime boyfriend DJ Keoki, Wilson Cruz as drug dealer/Club Kid wannabe Angel Melendez, and Marilyn Manson as Christina, a transsexual member of Alig's entourage. A number of real life club kids appeared as extras, including fashion designer Richie Rich and David LaChapelle's transsexual muse Amanda Lepore.

Party Monster made its world premiere at the 2003 Sundance Film Festival. Months later, it was put on limited release to different art-house theaters in major US cities.

The film has gained somewhat of a cult following, and many clubs in major American cities have hosted Party Monster theme parties. The film has also played a major role in the slowly developing rave revival movement.

"Money, Success, Fame, Glamour" is from the scene where the "Club Kids" make their national appearance in Dallas, when they are at their peak of their careers as party promoters - and below is a clip of the scene in which this song is played.

ADD US ON MYSPACE: WWW.MYSPACE.COM/THESURREALCAST

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Paul van Dyk (born Matthias Paul; December 16, 1971 in Eisenhüttenstadt, Brandenburg, East Germany) is one of the world's leading electronic dance music DJs and producers.

Van Dyk grew up in East Berlin, where he kept in touch with the world beyond the Berlin Wall by secretly listening to the popular but forbidden Western radio stations RIAS and SFB and mixtapes occasionally smuggled into the country copied among school friends.

Shortly before the fall of the wall, van Dyk and his mother were given permission to leave East Germany and moved to Hamburg to live with his aunt. In 1990, van Dyk moved back to Berlin. His first appearance as a DJ was in the Tresor in March 1991. A couple more dates followed and he was soon given the chance to perform at Juergen Kramer's famous Dubmission parties in the Turbine club, together with the highly popular young resident DJ Kid Paul. The shows were called Paul vs. Paul. His mixing style drew the attention of Cosmic Baby and the two collaborated as The Visions of Shiva, on "Perfect Day" (1992) on the renowned Berlin independent label MFS (Masterminded For Success) Records, run by well known English ex-pat producer Mark Reeder and manager Torsten Jurk.

In February 1993, van Dyk and Kid Paul hosted an installment of the weekly three-hour HR3 Clubnight radio show perform for a nationwide audience on the radio. The second and final Visions of Shiva single "How Much Can You Take?" was released and van Dyk and Cosmic went their separate musical ways. By late summer, Paul released his first DJ-mix compilation "X-Mix-1 - the MFS Trip" and remixed Humate's classic trance hymn "Love Stimulation".

The growing popularity of the Dubmission parties forced a venues change, first to Cafe Moskau and then into the larger E-Werk where van Dyk began hosting regular MFS nights.

In 1994 Paul released "The Green Valley EP", "Pump This Party" and "Emergency 911". Meanwhile, MFS acquired many remixes for Paul and Reeder's close friendship with artists such as New Order gave Paul the opportunity to mix the track "Spooky" from the Republic album. After much persuasion by Reeder, he finally recorded his debut LP 45RPM with Johnn Klimek and VOOV. Reeder also compiled the album's running order and design, and chose the album's title as a reflection of the 45 RPM speed typical for dance vinyl.

Reeder compiled Seven Ways which established van Dyk as a trance pioneer and was van Dyk's first real success in Britain. Reeder had successfully convinced his old friend Rob Deacon (formally of Volume) to license the album for the UK and his new Deviant label.

The singles "Forbidden Fruit" and "Beautiful Place" didn't cause a great impact at first, but with the release of Seven Ways and "Words" appearing at the height of the British superclub phenomenon, van Dyk's own material began to attract attention. "By the time they realised I was a German, it was too late!" van Dyk said.

In 1998, 45RPM was re-released in the UK. To mark the event, and in homage to the defunct E-Werk, Paul released a remix of "For An Angel". Van Dyk took up a residency at Sheffield's Gatecrasher and declared himself anti-drugs, which led to home-made "No E, Pure PvD" T-shirts, also a sly note to journalists that his surname contained no "E".

Van Dyk left MFS Records and took a controlling share in the new label Vandit Records. In 2000, Paul flexed his skills with his melodic, dancefloor-friendly Out There And Back, which included the hit single "Tell Me Why (The Riddle)", a collaboration with Saint Etienne. His first mix album The Politics of Dancing (2001) was followed by a world tour and a DVD release Global (2003) and the Mexican film "Zurdo", for which van Dyk composed the soundtrack.

This song is from The Politics of Dancing.
Eat your heart out.

www.paulvandyk.com/

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The core of Zeromancer met in the influential Norwegian band Seigmen. During the 1990s this band dominated the national rock scene and even made a name for themselves outside the country by playing concerts abroad.

When Seigmen split in 1999, Alex Møklebust (vocals), Erik Ljunggren (programming), Kim Ljung (bass guitar) and Noralf Ronthi (drums) joined forces with Chris Schleyer(ex-Kidneythieves) (guitar) as Zeromancer.

Musically, Zeromancer can be put in the ever increasing Industrial Rock category, along with household names such as Nine Inch Nails, KMFDM, Die Krupps, newer songs from Oomph!, and Rammstein. They also have a purer Synthpop sound to some of their songs, similar to the sounds of Depeche Mode.

In the spring of 2000 they released their first album, the rather successful Clone Your Lover where the title track was a minor hit at clubs and venues. This album also won them the award for the best newcomer of 2000 at the German Alternative Music Awards.

The following year they released their Eurotrash album, featuring a cover version of the song "Send Me an Angel" that was a major hit back in 1983 with the Australian group Real Life.

In the spring of 2003, coinciding with the US reissue of Clone Your Lover, the band toured in the USA together with the early 1990s superheroes Pigface and My Life With The Thrill Kill Kult. This tour resulted in a growing fan base in the New World too.

In the autumn 2003 they released their third and so far last album, Zzyzx. The name comes from a street sign that band saw while touring in the USA; in San Bernardino County, California, there's a place called Zzyzx Springs and it was given that name to ensure that it would be last in the index of all US place names. After the release, Chris Schleyer left the band, following an offer to join A Perfect Circle as a rehearsal guitarist. He's currently (as of March 2007) promoting his new band Affected, and working with Nine Inch Nails on their current tour.

The band is currently taking a break, freeing up the members to do other things. Kim is active with his band, Ljungblut, Alex has done some producing for a few Norwegian bands (such as Gåte and Don Juan Dracula) and Erik has lent his programming skills to a number of other artists (Satyricon, Undergod). According to the official Zeromancer website, "ZMR promise to return fall of 2006. An early ten track demo from the Oval room is recorded." As of March 25th, 2007, there's been no new word on another release, although a song named "Doppleganger I Love You" was supposedly played in Europe, so far peaking at number 4 on the Deutsche Alternative Charts[1] and has since been leaked on the internet. The song is thought to be from an upcoming Zeromancer album called "Sinners International".

LInks:www.myspace.com/THESURREALCAST
www.zeromancer.com/

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^A picture of my friend Cleo with Andy LaPlegua (lead singer of Combichrist) at The ChURch in Dallas, TX^

Most albums that come with the "play at maximum volume" instruction are dismissed - this is NOT one of them. Played low, the album sounds very mediocre; if you crank it up you can tell how wonderful they are..

Combichrist has started their own genre TBM- Techno Body Music. However, like techno in general, the music needs to be played as loud as possible, but performed as fast as possible.

ADD US ON MYSPACE:www.myspace.com/thesurrealcast

www.thechurchdallas.com
www.combichrist.com

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[:SITD:] was founded by Jacket and Lau in the Ruhr Area of Germany. In the next three years they self produced and released their first two albums, mourning country (1996) and Atomic (1999). In 1999, Lau left the band to be replaced by Thomas Lesczenski. In 2001, Andrè Sorge joins the band and they tour with VNV Nation and XPQ-21 on